How much money did cheech and chong make

By Larry Getlen. March 18, pm Updated March 19, am. Raised in South Central LA, he saw two people gunned down by the age of 7. Later, he was active in the anti-Vietnam War movement and fled to Canada to dodge the draft. There, he met guitarist and strip-club owner Tommy Chong, and the pair formed a musical duo that happened to be funny as. They shifted their focus to comedy and became the best-selling recording act in comedy history at the time. They became stoner icons and released more films, but Cheech writes that after a few years Chong wanted sole control of their material. Their relationship was still frosty at the outset, but years and ill health — Chong has battled prostate and rectal cancer over the past five years — have thawed some of the chill. Cheech spoke to The Post about his relationship with Chong and other aspects of his life in and out of show business. He turned it into an improv troupe. He came off the road after he was with Motown, and his parents had turned it into a strip club. It was great — the best time a young guy could. Are you kidding?

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Cheech and Chong on 40th anniversary of ‘Up in Smoke’: «It was: ‘We represent the norm: middle-of-the-road-dopers. You just don’t realize it yet. Almost a half a century has passed since the two comedians met in Vancouver, launching an enduring improv routine that they still regularly perform live on the road. And even now that each is in his 70s, they still seem to have the same spark pun intended. Cheech and Chong established a social currency with Up in Smoke that Hollywood had severely underestimated — a film about a subculture it had been ignoring — and, as both critics and audiences embraced it, it helped signal a turning point for comedy. For Marin, though, the thing that strikes him when he watches it today is the approach to comedy. We let the audience decide what was funny, instead of chopping it up with real short edits. Sometimes I feel like a goose being force-fed the cues to laugh. Marin and Chong first met in and bonded over a love of improv. So it became topless improv, hippie burlesque. As they worked out their routines, they figured out that their aesthetic was to take everyday situations and exaggerate them. In Up in Smoke , Cheech peeing in the hamper was a true story. And the scene where he wakes up with all the kids around him, blaring the television, that was from when Cheech stayed with my first wife and the family. He would sleep on the couch and every morning my kids would turn on the TV real loud. They refined their material on the road, and, according to Marin, worked more than days a year. Record producer Lou Adler, who worked with the Mamas and the Papas and co-owned the Roxy venue featured in Up in Smoke , spotted their act and offered to put out albums of their bits. When the time came to make the movie, it was Adler who worked as a producer attempting to sell it to prospective studios. Somebody over at Paramount understood it. I ended up financing it myself and they paid me back. It had a smattering of dialogue. But it was mostly a roadmap. Cheech and Chong eventually concocted a zany narrative where Pedro meets Man and they go to Tijuana to pick up a van constructed from marijuana. As they try to smuggle it across the border, they witlessly evade a narcotics unit led by a Sgt. Stedenko actor Stacy Keach and make their way to a battle of the bands. Throughout the picture, they included hilarious glimpses into their real lives. He was bumming for money. That really sucked.

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Cheech and Chong on 40th anniversary of ‘Up in Smoke’: «It was: ‘We represent the norm: middle-of-the-road-dopers. You just don’t realize it. Almost a half a century has passed since the two comedians met in Vancouver, launching an enduring improv routine that they still regularly perform live on the road.

And even now that each is in his 70s, they still seem to have the same spark pun intended. Cheech and Chong established a social currency with Up in Smoke that Hollywood had severely underestimated — a film about a subculture it had been ignoring — and, as both critics and audiences embraced it, it helped signal a turning point for comedy.

For Marin, though, the thing that strikes him when he watches it today is the approach to comedy. We let the audience decide what was funny, instead of chopping it up with real short edits. Sometimes I feel like a goose being force-fed the cues to laugh. Marin and Chong first met in and bonded over a love of improv.

So it became topless improv, hippie burlesque. As they worked out their routines, they figured out that their aesthetic was to take everyday situations and exaggerate. In Up in SmokeCheech peeing in the hamper was a true story. And the scene where he wakes up with all the kids around him, blaring the television, that was from when Cheech stayed with my first wife and the family.

He would sleep on the couch and every morning my kids would turn on the TV real loud. They refined their material on the road, and, according to Marin, worked more than days a year. Record producer Lou Adler, who worked with the Mamas and the Papas and co-owned the Roxy venue featured in Up in Smokespotted their act and offered to put out albums of their bits.

When the time came to make the movie, it was Adler who worked as a producer attempting to sell it to prospective studios. Somebody over at Paramount understood it. I ended up financing it myself and they paid me. It had a smattering of dialogue. But it was mostly a roadmap. Cheech and Chong eventually concocted a zany narrative where Pedro meets Man and they go to Tijuana to pick up a van constructed from marijuana.

As they try to smuggle it across the border, they witlessly evade a narcotics unit led by a Sgt. Stedenko actor Stacy Keach and make their way to a battle of the bands. Throughout the picture, they included hilarious glimpses into their real lives. He was bumming for money. That really sucked.

Was he a good lighting tech? I took some really good acid this afternoon. For some of the other roles, they looked to their funny friends. Their friend, June Fairchild, played how much money did cheech and chong make cokehead partygoer who snorted three lines of Ajax that made her do what sounds like an impression of Donald Duck imploding, and they cast other buddies as extras in the party scenes.

So we put it in the movie. We had to sustain a level of energy, especially making movies. We had long days on set. Despite how the movie was made, Cheech and Chong are proud of how they blazed a trail pun always intended for marijuana legalization today if not just by normalizing it in the movies.

You can make rope, fabric, fuel — you can do everything with it. It also the answer to the opioid crisis. When people are waiting for their dose of heroin, they smoke a joint and they survive until their dose comes in some cases. One point where Marin and Chong seem to diverge regarding legalization is with forgiving the criminal records of people who have been convicted of marijuana offenses.

In fact, the told the judge. It was worth it. Cheech and Chong knew they had a hit on their hands when they held test screenings in three cities in Texas — Houston, the hip, liberal city, Dallas, where the conservatives were, and San Antonio, where there was a larger Hispanic population. It killed.

Adler also ran the film by his good friend Jack Nicholson, who gave it a painful thumbs up. I could judge where the joke hit and not to go over the joke. He almost wanted me to stop. Except for The Corsican Brotherseach of the films continued the mythos of Pedro and Man, even if they stopped using those names. Marin, Chong and Adler are now all on good terms today. Cheech and Chong still tour, and they appeared with their former producer-director though not together in bonus content for the box set.

Each is still incredibly proud of the way the film broke through barriers — a feat that seems even greater in hindsight. We represent the norm. Newswire Powered by. Close the menu. Rolling Stone. Arrow Created with Sketch. Calendar Created with Sketch.

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Up In Smoke

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