A producer could make more money with a flop

Living… in New York City, barely staying afloat. Other men sail through life, Bialystock has struck a reef. Bloom, I’m going. I’m condemned by a society that demands success when all I can offer is failure. Bloom, I’m reaching out to you. Don’t send me to prison Profession… a washed-up, aging Broadway producer. This led him to realize that a producer could make more money with a flop than a hit. He persuades his accountant Leo Bloom to partner up with him in creating an intentional flop in order to oversell the shares at a much higher rate. Since no one will audit the books of a play presumed to have lost money, they plan to take all the investment money and book it to Rio. But first, they need a flop. Rummaging through the slush pile, Leo and Max stumble across what has potential to be the worst thing ever written for the stage: Springtime for Hitler: A Gay Romp with Adolf and Eva at Berchtesgaden, written by a real life Nazi. The plan seems bulletproof. Relationship Status

What Directors Do

As in the film, the story concerns two theatrical producers who scheme to get rich by overselling interests in a Broadway flop. Complications arise when the show unexpectedly turns out to be successful. The humor of the show draws on ridiculous accents, caricatures of homosexuals and Nazis , and many show business in-jokes. After 33 previews, the original Broadway production opened at the St. James Theatre on April 19, , starring Nathan Lane and Matthew Broderick , and ran for 2, performances , winning a record-breaking 12 Tony Awards. It spawned a successful London production running for just over two years, national tours in the US and UK, many productions worldwide and a film version. David Geffen persuaded Mel Brooks to turn his film into a stage musical. When Brooks met with Jerry Herman [1] to discuss their working together, Herman declined, telling Brooks that he should do the job himself, as he was a good songwriter. Brooks then asked Thomas Meehan to join him in writing the book for the stage. Brooks persuaded Mike Ockrent and his wife Susan Stroman to join the creative team as director and choreographer. After Ockrent’s death in , Stroman agreed to continue as both director and choreographer. It is terrible, and the show closes after one performance. Max, who was once called the King of Broadway, tells a crowd of down-and-outs of his past achievements and vows to return to form «King of Broadway». The next day, Leo Bloom , a mousy accountant, comes to Max’s office to audit his books. When one of Max’s little old lady «investors» arrives, Max tells Leo to wait in the bathroom until she leaves. She plays a sex game with Max, who eventually persuades her to give him a check to be invested in his next play, to be called «Cash». Leo reveals his lifelong dream: he’s always wanted to be a Broadway producer. Max begs Leo to cook the books to hide the discrepancy. Leo reluctantly agrees. After some calculations, he realizes that «under the right circumstances, a producer could actually make more money with a flop than he can with a hit. Step 1: We find the worst play ever written. Step 2: We hire the worst director in town. Step 3: We raise two million dollars. One for me, one for you. There’s a lot of little old ladies out there!

Contribute to This Page

Down-on-his-luck theatrical producer Max Bialystock is forced to romance rich old ladies to finance his efforts. When timid accountant Leo Bloom reviews Max’s accounting books, the two hit upon a way to make a fortune by producing a sure-fire flop. The play which is to be their gold mine? Brash and loud Max Bialystock was once a successful Broadway producer who now resorts to wooing and seducing elderly women, each with their own specific sexual peccadillo, to raise enough money for his shows. Leo Bloom, a nervous man prone to hysterics, is the latest person Max’s accounting firm has sent to audit Max’s books. The two decide to join forces to produce a Broadway show after an innocent passing comment by Leo: that a producer can make more money with a flop that closes after one performance than a success as the producer would not have to pay back the investors as the investors have bought into a specific percentage of the show. Thus their goal is to raise as much money as possible to produce a guaranteed flop that closes after one performance. Their first task is to find the worst show ever written, which they believe they have in the offensive «Springtime for Hitler», a musical love story to the famed dictator written by patriotic and deranged Nazi German, Franz Liebkind. Max then goes into overdrive to raise the money from his regular stable of elderly female investors and those of a similar ilk. And they are able to hire who is considered the worst director in the business, Roger De Bris, and miscast the lead role with an actor who goes by his initials, L. But with all these pieces to produce a sure-fired flop, have they actually created the perfect storm? Max Bialystock is a washed up Broadway producer. Leo Bloom is a mousy PA public accountant. No one will expect anything back and you can pocket the difference. They need the worst play to do this. They find it in the musical «Springtime for Hitler». Sign In. Edit The Producers Jump to: Summaries 4 Synopsis 1.

The Producers (2005) Official Trailer — Nathan Lane, Matthew Broderick Movie HD

by Mel Brooks. March, 1967.

A Max Bialystock who looks like Mel Brooks. A Leo Bloom who sings mellifluously and mewls comically. A curvy Ulla with a sweet smile and a mischievous twinkle. Engeman Theater at Northport? Nothing, really, and there is a lot to enjoy. Stuart Zagnit, who plays Max, is not trying to imitate Mr. Brooks, the creator of the hit musical with book-writing help from Thomas Meehan and of the classic movie on which it is based.